![]() ![]() One of them was a gif of Fritz the Cat outside a window, and because we knew we wanted to have you in some kind of space where everything disappears, it became the most perfect reference. He had a bunch of stuff that he collected on this computer. Michael: That Fritz the Cat thing actually came from Jack (Archy’s brother). The most pointless thing ever.Īrchy: Then you came 'round mine and we watched bits of Fritz The Cat and the kinds of references you wanted to put into it. Then Gus Van Sant managed to correct it with a match card. In the original Psycho Hitchcock always wanted it to be one long shot that goes right into the window because he wanted it to feel like a fly - which relates to the ending with Norman Bates. Michael: The shot that goes into the window we actually nicked from the Gus Van Sant remake of Psycho. Archy was standing there going, “what the fuck is this going to be? What the fuck is this supposed to be?” Then we shot Archy and the gang against green screen. Paraic: It looked really shit but it looked kind of sick at the same time. Then put them altogether and then printed out Google Image pictures of buildings, and did tests and little action shots. We went to one of the supermarkets and got cardboard out of skips and shit. Somehow if you see the shape of it your mind reads it as that thing. Then you just move the camera through it and you do those helicopter shots. We did a little test of putting cardboard up. Paraic: I saw that and I was like, oh fuck you can create a world just out of literally anything. Literally out of bricks with holes in them. I saw these photos of this guy, this Italian photographer called Matteo Mezzadri. Michael: I wanted to do a miniature city because I just thought that would be the sickest shit to do.
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